In 1931, Mélat received accolades, including the Atelier Prize and teaching diplomas in Drawing. His dedication to both visual arts and music remained unwavering throughout his life. His appointment as a drawing professor at Lycée Pierre-de-Fermat in 1934 firmly established him as a notable figure in Toulouse's cultural landscape.

Mélat's artistic journey blossomed with his debut at the Salon of the Southern Artists Society in 1936, where his striking portrayal of Joan Warner, a controversial dancer of the time, garnered attention. Throughout his career, he eloquently celebrated the female form through bold yet elegant poses, characterized by deliberately distant and absent gazes, achieving a sought-after abstraction.

His artistic endeavors extended beyond canvas to encompass murals for public buildings, such as the Audouy Hall, and collective portraits of Chamber of Commerce members. Mélat's collaboration with the Grenier de Toulouse theater company from 1945 to 1964 showcased his multifaceted talent, designing sets, costumes, and even composing music for stage productions.

His contributions to the Toulouse theater scene were groundbreaking, including the introduction of constructed sets for "Oedipus Rex" in 1941, revolutionizing theatrical production. Notably, his comprehensive designs for Gabriel Fauré's "Pénélope" in 1957 and "King David" in 1958 underscored his innovative vision.

Despite the loss of much of his theatrical work in a fire in 1970, some of Mélat's preliminary sketches and studies have been preserved and displayed in museums, offering glimpses into his creative process.

In addition to his drawings, gouaches, and oils, Mélat's legacy includes his contributions to tapestry design. Collaborating with Aubusson, he produced numerous designs adorning public buildings and private collections, standing alongside luminaries like Marc Saint-Saëns and Lurçat in revitalizing French tapestry from 1962 to 1981.

Maurice Mélat's artistic legacy was not only recognized through prestigious awards such as the Clémence Isaure Prize in 1991 and the Gold Medal of the City of Toulouse in 2000 but also cherished by those who admired his integrity, talent, and diverse contributions to the cultural heritage of his city and region.

Maurice Mélat passed away on January 29, 2001, leaving behind a rich and eclectic body of work that continues to inspire and captivate audiences.

Our house assures you the sale of a tapestry with invoice and approved expertise, well cleaned, in good condition with its fixing system. If it should be necessary, we will specify the work that has been done. All our tapestries can be presented to you at your home in France and neighbouring countries before your final decision.